Helen Brasher's

Gallery

Poole Printmakers

5 Bowling Green Alley

Poole, Dorset, England, BH15 1AG

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Helen Brasher's Gallery

 

Helen Brasher Branch Tryptch Left

Print 1

Helen Brsaher Branch Tryptch Middle

Print 2

Helen Brsaher Branch Tryptch Right

Print 3

Helen Brasher Autumn

Print 4

Helen Brasher Winters Eve

 

Print 5

Helen Brasher Coppice

Print 6

Click on any print number to go to an enlarged version

If you would like to purchase one of Helen's prints send us an email

 

Helen Brasher Branch Tryptch Left

1) Branch - Collograph and Acrylic -Tryptch- Left

 

Helen Brasher Branch Middle

2) Branch - Collograph and Acrylic -Tryptch- Middle

 

Helen Brasher Branch Right

3) Branch - Collograph and Acrylic -Tryptch- Right

 

Helen Brasher Autumn

4) Autumn - Monoprint - 370 x 155

 

 

 

 

Helen Brasher Winter's Eve

 

5) Winter's Eve - Monoprint - 370 x 155

 

Helen Brasher Coppice

6) Coppice - Collograph - Detail

Helen's recent work, showing in this gallery, reflects time spent working in woodland and heathland over the last four years where her focus has been on surface and texture

 

If you are interested in buying one of Helen Brasher's prints send us the details and we will put you in contact with Helen

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Helen Brasher

Helen Brasher

Originally a mixed media painter, my fascination with printmaking began
during a Foundation Course in Art & Design at Bournemouth & Poole College in l996, and continued at The Arts Institute at Bournemouth where
I achieved HNC and HND qualifications in Fine Art/Printmaking between 1998 and 2001. During this time I spent many happy hours experimenting
with deep etched metal, and constructing collagraph plates from card and found materials.

I became a member of Poole Printmakers in May 1999 and today
my interest lies in both the formation of the landscape and the ravaging effects of erosion upon it, as well as the impressions it leaves on buildings
and their composite materials. I am drawn to detailed fragments of the landscape, rusting metal, peeling paint, crumbling rock and weather-worn
wood; patterns created through the process of erosion caused by man
and the elements. The past pressing upon the present.


In my printmaking I combine traditional methods of etching alongside those
less conventional techniques in which the corrosive nature of etching itself often
causes process and subject matter to merge.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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